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The overall structure of this new edition is three-tier: Part I presents the basics, Part II is concerned with methodological issues, and Part III discusses advanced topics. In the second edition the authors have reorganized the material to focus on problems, how to represent them, and then how to choose and design algorithms for different representations. They also added a chapter on problems, reflecting the overall book focus on problem-solvers, a chapter on parameter tuning, which they combined with the parameter control and "how-to" chapters into a methodological part, and finally a chapter on evolutionary robotics with an outlook on possible exciting developments in this field.

The book is suitable for undergraduate and graduate courses in artificial intelligence and computational intelligence, and for self-study by practitioners and researchers engaged with all aspects of bioinspired design and optimization.

• Sales Rank: #909266 in Books
• Published on: 2015-07-02
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .69" w x 6.14" l, 1.55 pounds
• Binding: Hardcover
• 287 pages

Review

“This book aims to give a thorough introduction to evolutionary computing, covering techniques and methodological issues. … the book does a good job of giving a general overview of the field. It assumes very little initial knowledge and the breath of its coverage is very impressive. … the supporting website does contain suggested further reading for each of the chapters.” (Barry Wilkes, bcs The Chartered Institute for IT, bcs.org, May, 2016)

“This second edition of the book under review is very timely and corresponds to Evolutionary Computation (EC)’s status as an established methodology. … The chapter subdivision into different algorithms used in the first edition … has been replaced by a more suitable student/researcher-oriented approach; this is also supported by the website www.evolutionarycomputation.org, which contains a trove of exercises, slides and extra bibliographic references.” (Anna I. Esparcia-Alc�zar, Mathematical Reviews, May, 2016)

“Introduction to Evolutionary Computing is an excellent and readable text that should find a place on the bookshelf of anyone who researches and/or teaches in this domain. Suitable for a graduate course or upper-level undergraduate course in Evolutionary Computing, it is also a superior and well-organized reference book. … papers and presentations cited in the text provide a marvelous literature review. … The clarity of exposition and detail are excellent … .” (Jeffrey L. Popyack, Genetic Programming and Evolvable Machines, Vol. 17 (2), 2016)

From the Back Cover

The overall structure of this new edition is three-tier: Part I presents the basics, Part II is concerned with methodological issues, and Part III discusses advanced topics. In the second edition the authors have reorganized the material to focus on problems, how to represent them, and then how to choose and design algorithms for different representations. They also added a chapter on problems, reflecting the overall book focus on problem-solvers, a chapter on parameter tuning, which they combined with the parameter control and "how-to" chapters into a methodological part, and finally a chapter on evolutionary robotics with an outlook on possible exciting developments in this field.

The book is suitable for undergraduate and graduate courses in artificial intelligence and computational intelligence, and for self-study by practitioners and researchers engaged with all aspects of bioinspired design and optimization.

About the Author

Prof. Gusz Eiben received his Ph.D. in Computer Science in 1991. He was among the pioneers of evolutionary computing research in Europe, and served in key roles in steering committees, program committees and editorial boards for all the major related events and publications. His main research areas focused on multiparent recombination, constraint satisfaction, and self-calibrating evolutionary algorithms; he is now researching broader aspects of embodied intelligence and evolutionary robotics.

Prof. James E. Smith received his Ph.D. in Computer Science in 1998. He is an associate professor of Interactive Artificial Intelligence and Head of the Artificial Intelligence�Research Group in the Dept. of Computer Science and�Creative Technologies of The University of the West of England, Bristol. His work has combined theoretical modelling with empirical studies in a number of areas, especially concerning self-adaptive and hybrid systems that "learn how to learn". His current research interests include optimization; machine learning and classification; memetic algorithms; statistical disclosure control; VLSI design verification; adaptive image segmentation and classification and computer vision systems for production quality control; and bioinformatics problems such as protein structure prediction and protein structure comparison.

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0 of 2 people found the following review helpful.
Five Stars
By Stanislaw
I AM VERY HAPPY. THE BOOK IS FANTASTIC AND ALL PROCESS WAS SHORT. I AM DELIGHTED

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The Thrilling Conclusion to the Fate of the Alpha Story!Something wicked has come to Tarker's Hollow...

Ainsley Connor wants to protect her pack from the ancient evil in Tarker's Hollow. With her magic and her wolf finally working together, she just might have a chance. But even if she does, the pack elders threaten to disband the Tarker's Hollow pack.

Erik Jensen, torn from his place at Ainsley’s side by pack politics, finds himself at the center of a mystery that might just hold the key to saving Tarker’s Hollow. The real challenge might be surviving long enough to share his revelation.

Grace Kwan-Cortez has finally accepted her feelings for Julian. But when she finds out he's been keeping secrets, her newfound bliss turns out to be short-lived.

Julian Magie has a job to do. When he comes face-to-face with an ancient enemy, he must choose between duty and love.

Scroll up and grab a copy now.

• Sales Rank: #363147 in eBooks
• Published on: 2015-03-15
• Released on: 2015-03-15
• Format: Kindle eBook

Review
Praise for Fate of the Alpha:
�
-I feel like I just stepped off a rollercoaster ride!
�
-I loved, loved, loved this book!!! It had heart stopping, nail biting riveting action, and sweet love stories seamlessly intertwined.
�
-You want these characters to be real, want them to be your friends.
�
-Love how strong the women are in this series...no damsels in distress here.
�
-The BEST shifter series ... ever!

From the Author
The Tarker's Hollow SerialsPreferred Reading Order:Individually:

• Curse of the Alpha: Episodes 1&2
• Curse of the Alpha: Episodes 3&4
• Curse of the Alpha: Episodes 5&6

Or all together as:

• Curse of the Alpha: The Complete Bundle (Episodes 1-6)

Then:

• Fate of the Alpha: Episode 1
• Fate of the Alpha: Episode 2
• Fate of the Alpha: Episode 3

Or all together as:

• Fate of the Alpha: The Complete Bundle (Episodes 1-3)

About the Author
Tasha Black is a USA Today bestselling author of Paranormal and SciFi romance. She lives in a big old Victorian in a tiny college town. She loves reading anything she can get her hands on, making up stories, and sipping pumpkin spice lattes.�

Most helpful customer reviews

2 of 2 people found the following review helpful.
An amazing book that will cause you Post traumatic Book Disorder!
By ilianag
I was given an ARC by the author for an honest review

I can't believe its over...

what an emotional ride!!!!!

i have to admit i cried!!

a lot!!

wow!

Lets start at the begining...

its always nice to read characters as Ainsley and Eric and Grace and the rest of the gang also its always nice to see how the story and the characters evovle and in these books daaamn Tasha has made an awesome job.

In this last installment we see Ainsley and her gang facing finally the darkness and Eric trying to solve his end of the deal in the Copper Creek pack.

Problems arise only to be solved but at what cost for each one of them?

What an amazing end...i know i will say it again!

Heart beating fast,tears will roll,smiles will form and when you reach the last page you'll be
"daaaamn...that was good"

A must must must read series for me and an excellent job from Tasha!

1 of 1 people found the following review helpful.
A captivating ending to an enthralling series!
By Maru
I was given an ARC from Ms. Black in exchange for my honest review.

Ainsley is the Alpha of the pack in Tarker's Hollow. She is finally able to find balance between her magic and wolf. She must make more sacrifices in order to save not only her pack, but also the world from and evil that has been laying dormant for generations.

Erik is Ainsley's mate who has been assisting the wolf pack in Copper's Creek now has to make decisions and sacrifices in order to help Ainsley and both packs fight the evil that is lurking.

Grace is Ainsley's best friend and police officer for Tarker's Hollow. She finally accepts her feelings for Julian, a mage, but will she be able to make sacrifices to ensure the survival of all?

This is the last installment of the Fate of the Alpha trilogy. Even though Erik no longer has his wolf, he has to pretend to still be a werewolf among strangers in a different pack. Ainsley has realized who her true friends and allies are. As Ainsley continues to learn and work her magic, the evil has been unleashed in to the world. Will Ainsley, Erik, Grace, and Julian work together as a unit, even though some may be far away, to help save and rid the world of the evil sentient? Will some make the ultimate sacrifice? Will love and loyalty triumph over evil and betrayals?

I am very sad to see the ending of this series. I laughed, cried, actually shouted, and I had to put the book down and breathe. I love how the characters evolve and continue to grow in to what and who they are meant to be. The plot is solid and consistent. Ms. Black has written and magically powerful trilogy that grips you and keeps you enthralled until the very end! Just when you think you know what will happen next, Ms. Black throws a curve that leaves you surprised and begging for more! I sincerely hope that there are more books in the future from Tarker's Hollow. I highly recommend this series and author to all of those 18+ due to the adult content. Thank you Ms. Black for allowing me to read and review your book. I look forward to your future books.

1 of 1 people found the following review helpful.
... of the Fate of the Alpha series is an awesome conclusion to the Tarker's Hollow saga
By Angel
Part 3 of the Fate of the Alpha series is an awesome conclusion to the Tarker's Hollow saga. While reading this installment your emotions volley from excitement, trepidation, sadness, and happiness (not in that order). I loved that the characters developed even more, both in their skills and emotionally. Tasha Black is a fantastic writer, and you can't help but become emotionally evolved with all the characters, from incidental to primary. Another thing I appreciated is that, even though the ending is great, it's not all sunshine and rainbows for all of the characters. The part of me that wants everything to be perfect was bummed, but it was a really nice change from most romance books. I hope this isn't the end for the Tarker's Hollow crowd. I'm not ready to let them go yet!

I received a copy of Fate of the Alpha in exchange for an honest review.

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• Sales Rank: #3513673 in Books
• Published on: 2006-12-01
• Released on: 2007-01-01
• Original language: English
• Number of items: 1
• Dimensions: .49" h x 6.12" w x 8.75" l, .0 pounds
• Binding: Paperback
• 208 pages

About the Author
Tony Ling has been in an itinerant teaching ministry and church planting for many years. Today, he continues to minister as a prophet into churches with historic relationships, increasing numbers of calls to new fields. Tony lives in UK and has two grown sons.

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2 of 2 people found the following review helpful.
Difficult topics are explained in such and thourough and easy manner.
By Ben Kietzman
This book is a great foundational book that brings a good understanding of the book of Revelation. Beyond that it ties so many meaningful areas of the old and new testament into the symbolic references contained in Revelation.

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Unlike the first edition, which was more a collection of lens designs for use in larger projects, the 2nd edition of Modern Lens Design is an optical “how-to.” Delving deep into the mechanics of lens design, optics legend Warren J. Smith reveals time-tested methods for designing top-quality lenses. He deals with lens design software, primarily OSLO, by far the current market leaders, and provides 7 comprehensive worked examples, all new to this edition. With this book in hand, there’s no lens an optical engineer can’t design.

• Sales Rank: #713582 in Books
• Published on: 2004-11-12
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.90" w x 6.00" l, 2.26 pounds
• Binding: Hardcover
• 631 pages

Review
In this new edition of Smith's book, the focus has changed with the times. There are about half as many lens designs in the new edition, and the new material is directed toward design projects. Smith shows what he did, including blunders, to design a lens from first concept to final design. The designs include a cemented doublet, a triplet anastigmat, a Heliar, a Schmidt-Cassegrain, a landscape lens, and many more. The computer program OSLO was used to design the work, but the write-ups are program-neutral. Therefore, this book can be used with any lens design software. This book is a working person's text; there are very few derivations of techniques or derivations from first principles, Maxwell's equations, or Fermat's principle. The assumption is that the reader understands the basic optical principles and may have a command of the fundamentals of classical optical design methods. In short, a compendium of design techniques available today and a prescriptive resource for a variety of already designed lens types that can be starting points for a lens designer's efforts. Summing Up: Recommended. Upper-division undergraduates through professionals. -- D.B. Mason, Albright College

From the Back Cover
"This authoritative work is truly a rare find ... Smith's book is clearly written and exceedingly well organized ... When read from start to finish, the book makes it clear how the simple techniques demonstrated in the early chapters are developed and applied to more complex lens design forms."
--Laser Focus, on the previous edition

"An authoritative collection of lens design forms in a clear, readable format, Modern Lens Design is well worth acquiring by any student of the art of lens design.
-- Optical Engineering, on the previous edition

A MASTER CLASS IN PRACTICAL ENGINEERING TECHNIQUES AND THE ART OF LENS DESIGN
In this fully revised and updated Second Edition of Modern Lens Design, optics legend Warren J. Smith leads you through the mechanics of lens design, revealing tested methods for designing top-quality lenses. A paragon of design instruction, this volume offers clear explanations of processes, including the use of market-leading design software. You also get 7 comprehensive worked examples, all new to this edition. With this book in hand, there's no lens an optical engineer -- or an enthusiastic amateur -- can't design.

Warren J. Smith's Modern Lens Design helps you with every aspect of any major lens design project, including:
The prescription: Radii, spacings, materials, EFL, BFL, vertex length, object and image distances, magnification, Petzval radius, wavelength, clear apertures, and more
Rays: The axial-marginal ray and the chief ray
Plotting lens aberrations: Ray intercept plots for axis, 0.5, 0.7, and full field, field curvature, distortion, and lateral color

This text features new and updated lens design tables as well as comprehensive instruction in the lens design process, both traditional and CAD. Beginners and experts alike will turn to this book as the definitive source of lens design techniques time and time again.

LENS DESIGN INSTRUCTION, CHAPTER BY CHAPTER:
Introduction to Lens Design * Lens CAD: Managing the Software * Improving a Design * Cooke Triplet Anastigmats * Reversed Telephoto Lenses * Infrared Systems * Lens Design Tables * Example Designs * Formulary

About the Author
Warren J. Smith is Chief Scientist at Kaiser Electro-Optics as well as an independent consultant. He is the author of three prior books on lens design, including the first edition of this one, and the classics, Modern Optical Engineering and Practical Optical System Layout. He lives in Carlsbad, California.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent textbook
By David Lambert
Modern Lens Design is an excellent textbook in optical design using personal computer software. Even though there has been much progress in optical design software since the book was written, the principles are timeless.

2 of 3 people found the following review helpful.
Easy to read book on traditional lens design
By RAB
I purchased the 2nd edition of Warren Smith's 'classic' on lens design. Rather dated, and I advise the prospective buy to try to hold out for the most recent edition, the 4th, because considerable important 'modern' information was added to it. That said, if the earlier editions can be purchased at a temptingly low price, you'll still get most of what's important about the subject.

24 of 32 people found the following review helpful.
Practical Textbook on lens design now in 2nd Edition
By P. Nagy
Excerpt: My personal optical design experience has spanned more than five decades. They have been exciting, fascinating, and delightful decades; I have enjoyed each one. During that half century, lens design has changed radically. In the mid-twentieth century, lens design was still a semi-intuitive art, practiced by a few dedicated individuals of great per-severance, knowledge, and skill. And by mid-century most of the classic lens design forms had already been created. To this day, these designs are still the basis of many excellent modern optical systems.

Of course the practice of lens design today is radically different from what it was in the 1940s and 50s. Then, most optical design was done with an electromechanical desk calculator (e.g., Marchant, Frieden, and Monroe), and the raytracing rate, measured in terms of the number of surfaces through which one could trace the path of a ray in a given amount of time, was to the order of one ray surface in about 250s (if one were to work at it continuously through the day). Thus, using the cur-rent dimensions for raytracing speed, one did about 0.004 ray-surfaces per second. And these were only meridional two-dimensional rays, not the three-dimensional general rays ordinarily traced today. A great deal of ingenuity (and elegant theory) went into finding ways to avoid tracing any more rays than were absolutely necessary.

Thanks to the modern personal computer or PC, the computing rate has increased almost unbelievably. Today a run-of-the-mill PC is capable of calculating several million ray-surfaces per second; this is about nine or ten orders of magnitude faster. Needless to say the techniques of lens design today differ mightily from those of fifty or sixty years ago. Then, the designer might calculate the derivatives of a few aberrations with respect to a limited number of constructional parameters and solve a small set of simultaneous, linear equations in the course of correcting his lens. These limited calculations were all carefully selected on the basis of theory, experience, and intuition. (Interestingly, one of the very real problems facing designers today is that the computer spews out

numbers so rapidly that it takes strong self-discipline just to make one-self stop and think.)

In modern lens design work, a computer program almost instantaneously calculates and solves equations which are far more than an order of magnitude more complex and extensive than those cited above. It is not atypical for the computer program to control about 50 lens performance characteristics by adjusting the values of some 20 or 30 construction parameters of the optical system. These latter numbers imply a design space with 20 or 30 dimensions, a complex space indeed.

There are, however, some real limitations on the power of a so-called automatic lens design program. The typical program proceeds from a given starting design and drives the design to the nearest local optimum, a form at which any small structural changes will degrade the system performance. System performance is judged by a set of calculated characteristics defined in a merit function, which would be better termed a defect or error function, since the characteristics in it represent departures from desired values.

Obviously then, the final automatic design solution is completely and uniquely determined by (a) the merit function, (b) the starting design form, and (c) the algorithm by which the computer solves the problem of locating an optimum design form with the minimum value of the merit function.

When the first edition of Modern Lens Design (MLD) was published, there was a great need for a collection of suitable design forms at which to start the design process, and MLD provided almost 300 lens designs for this purpose. These designs were selected not only as starting points, but also as illustrations of important design principles. At the present time the need for sample designs, while still real, is significantly less, largely because most optical design programs now include libraries of lens designs. (These programs also include random search design capabilities which permit large changes in lens forms.) For example, all of the lens designs in the first edition of MLD (plus many others) are included in the lens libraries of the optical design program OSLO (a product of Lambda Research Corp.). Another program, LensVIEW by Brian Caldwell, is a compilation of over 30,000 lens designs and patents.

That said, it is (at least it is for me) far more easy and convenient to scan and compare a series of printed design pages than it is to do the same thing on a computer screen (even with the multiwindow capabilities of many programs). For this and other reasons this second edition of MLD has retained about half of the original designs and has added some new ones. The reader may also find some additional designs in the works referenced at the end of the book.

The practice of lens design is now essentially an engineering discipline. While this book is intended to be self-contained, we deliberately

do not include a lot of derivations, or even the mechanics of exact ray tracing. And as valuable and cherished as they may be in academia, we happily omit any derivations from first principles, Maxwell's equations, or Fermat's principle. These are simply not necessary for a book on lens design. We make one exception to the no "ray tracing" rule, namely for the tracing of paraxial rays, which a lens designer often carries out by hand, or with a programmed pocket calculator. This topic is covered in the Formulary of Chapter 24, along with other valuable and frequently used geometrical optics relationships.

However, there is currently a growing need for a more detailed exposition of basic lens design and theory in a single volume. The first edition of MLD was a "companion" volume to the author's Modern Optical Engineering. Several very basic lens design books have recently appeared; some are almost extended user manuals written for a specific design program. This edition of MLD is definitely not intended as a user manual, or as a guide to any specific program. It is an attempt to go well beyond this level by presenting both the basics of, and a more advanced approach to, lens design. The intent is to advise the reader how to get the most from any computer lens design program. To this end, about half of the lens designs in the first edition of MLD have been eliminated to make room for quite a bit of new material.

The text is, as far as possible, completely program neutral. I have tried to make the material regarding design programs as generic as I could, discussing features that are available in almost all commercial soft-ware. I have used OSLO for the design work demonstrated in the text, and for preparing the new figures. (The lens analysis figures in the first edition of MLD were prepared with a customized version of the program GENII, using a new and unique presentation style which is now widely available; for an example, see the OSLO aberration plots herein.)

Most neophyte lens designers very quickly get past the basics and learn to use their computer programs with a high level of proficiency. At this point, what they need most is an answer to the question, "What do I do now?" Much of the new material in this edition is designed to this end and takes the form of actual design projects carried out from scratch, warts and all. (In other words, I have not papered over the blunders I made in the design process.) These designs include a cemented doublet, a triplet anastigmat, a Tessar, a Heliar, a Dogmar, a telephoto, a Schmidt cassegrain, a binocular eyepiece, an apochromatic triplet, and a landscape lens. Many of these design stories are carried out to some length to illustrate all of the possible steps that can be taken to improve a design. Every initial assumption is explained and justified. These design descriptions not only show the basic design

approach, but continue on with advanced steps and the rationale for them.

I have surveyed the literature at some length for any design techniques which might have a general applicability (as well as the reported specific use for the writer's specific problem). Some were found in the references listed at the end of the book. For the most part, the design techniques described here are those which I have found to be useful in working with an optimization program. Many of the techniques have been developed or refined during more than two decades of teaching courses in lens design; indeed some of these ideas were suggested or inspired by my students. Other valuable sources were the many informal discussions that I have been fortunate to have with my colleagues.

For better or worse, one can never seem to squeeze all the material that you want into a book. At the manuscript deadline date there is always at least one more feature that you wished there was enough time to develop, write, and include. But I suppose that if there were time, no book would ever be finished.

Surprisingly, there are only a modest number of well-understood and widely utilized principles of optical design. If one can master a thorough understanding of these principles, their effects, and their mechanisms, it is easy to recognize them in existing designs and also easy to apply them to one's own design work. It is the intent here to promote such understanding by presenting both expositions and annotated design examples of these principles.

Readers are free to use the designs in this book as starting points for their own design efforts, or in any other way they see fit. The reader must accept full responsibility for meeting whatever limitations are imposed on the use of these designs by any patent, copyright, or other (whether indicated herein or not).

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Close Combat

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1. PURPOSE
Today’s Marines operate within a continuum of force where conflict may change from low intensity to high intensity over a matter of hours. Marines are also engaged in many military operations other than war, such as peacekeeping missions or noncombatant evacuation operations, where deadly force may not be authorized. During noncombative engagements, Marines must determine if a situation warrants applying deadly force. Sometimes Marines must decide in a matter of seconds because their lives or the lives of others depend on their actions. To make the right decision, Marines must understand both the lethal and nonlethal close combat techniques needed to handle the situation responsibly without escalating the violence unnecessarily.
Marine Corps Reference Publication (MCRP) 3-02B, Close Combat, provides the tactics, techniques, and procedures of Marine Corps close combat. It also provides the doctrinal basis for the Marine Corps Close Combat Training Program (MCCCTP).

• Sales Rank: #355927 in eBooks
• Published on: 2011-05-14
• Released on: 2011-05-14
• Format: Kindle eBook

Most helpful customer reviews

26 of 29 people found the following review helpful.
The Basics
By A Customer
I am going to write an open and honest review. This book is excellent. It teaches the basics and thats what works. The wrist locks are from aikido and jujitsu, two time proven arts. Sure they are not kill techniques, but still practical and useful. The throws and strikes are very simple to understand, which is good. How many times have you heard... this is the best way? Then it takes 6 months to learn that one technique. The throws and ground fighting are good, despite what some have written on the net(trying to sell their product over this one). What you need to remember is the illustrations are single example movements. No one knows what is really going to happen in a street fight. One recommendation. If you are looking for martial art styles... look into hsing i, wing chun or krava maga. STAY AWAY FROM MODERN WU SHU!

26 of 31 people found the following review helpful.
Excellent!
By Huntress Reviews
This is an excellent reprint of the U.S. Marine Corps' most recent "Close Combat manual" Dated 18 Feb 1999. It's an excellent reference guide and "how to" manual for learning Hand to Hand fighting, disarming opponents, Bayonet techniques, knife fighting and many other areas that a Marine must be proficient with to win on the world's Battlefields!
As bad as us Army people HATE to admit it, the Marines are no-nonsense fighters, every soldier is a rifleman, everyone fights. This is the manual that helps them stay alive!

8 of 8 people found the following review helpful.
A Cut Above Similar Books on this Subject
By Leftcoasterman
Overall, I liked this book. There are some minor complaints. For example: The manual instructs you punch (with your fists) only "soft tissue areas" (I agree on this point by the way), then it proceeds to illustrate a Marine delivering an upper-cut to an opponent's jaw... since when is the jawbone or chin a "soft tissue area"?
I'm glad to see the manual cover ground-fighting techniques; however, a lot of important details of the mount, the guard and some of the other key techniques are absent. This won't be a problem if you have a instructor who really knows his material - but I feel a manual of this sort should be more detailed, as soldiers ought to know the fine subtleties of techniques to make them 100% effective.

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Pixar animator and Academy Award–nominated director Sanjay Patel (Sanjay’s Super Team) brings to life Hinduism’s most important gods and goddesses (and one sacred stone) in fun, full-color illustrations, each accompanied by a short, lively profile. The Little Book of Hindu Deities is chock-full of monsters, demons, noble warriors, and divine divas. Find out why Ganesha has an elephant’s head (his father cut his off!); why Kali, the goddess of time, is known as the “Black One” (she’s a bit goth); and what “Hare Krishna” really means.

“Throw another ingredient in the American spirituality blender. Pop culture is veering into Hinduism.”—USA Today

• Sales Rank: #7441 in Books
• Brand: Plume
• Published on: 2006-10-31
• Released on: 2006-10-31
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x .50" w x 6.30" l, .53 pounds
• Binding: Paperback
• 144 pages

From Publishers Weekly
Don't mess with Kali, cautions Patel on the opening page of this arresting, innovative, entertaining book. Who knew the Hindu pantheon could be so much fun? Patel, an animator at Pixar studios, breathes new life into old mythology, telling the exploits of various deities while drawing us in—literally—with his joyous and unexpected full-color illustrations. In the introduction, he notes that he has always been influenced by Japanese animation, and his renderings bear the mark of the wide-eyed, large-headed, simple style that he so admires. The book is awash in color, with vivid saffrons, purples, fuchsias and oranges adding a lushness to the tales he recounts. Although some of the design work is too trendy to last—to wit, the oversized green and yellow polka dots that decorate some interstitial pages—it is precisely that faddish nod to the au courant that will make the book popular with teens and 20-somethings, who are the core audience ("Next time you're angry with your parents, don't turn into a monster," Patel jokes after introducing us to Bhairava, a vengeful incarnation of Shiva). Both funny and informative, this is a fresh and breezy introduction to the Hindu gods. (Nov.)
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Review
"Don't mess with Kali, cautions Patel on the opening page of this arresting, innovative, entertaining book. Who knew the Hindu pantheon could be so much fun? Patel, an animator at Pixar studios, breathes new life into old mythology, telling the exploits of various deities while drawing us in—literally—with his joyous and unexpected full-color illustrations. In the introduction, he notes that he has always been influenced by Japanese animation, and his renderings bear the mark of the wide-eyed, large-headed, simple style that he so admires. The book is awash in color, with vivid saffrons, purples, fuchsias and oranges adding a lushness to the tales he recounts... Both funny and informative, this is a fresh and breezy introduction to the Hindu gods."—Publishers Weekly

About the Author
SANJAY PATEL�is an animator and storyboard artist for Pixar Animation Studios, where he has worked on features that include Monsters, Inc., A Bugs Life; Toy Story 2; and The Incredibles. He has also worked on The Simpsons for Fox and with legendary cartoonist John K., creator of Ren and Stimpy. He was nominated for the Academy Award for Best Animated Short for his short film Sanjay's Super Team.

Most helpful customer reviews

43 of 43 people found the following review helpful.
My husband reads it to my 2 year old - both love it!
By Shari DeCarlo
The visuals are captivating and engaging. There's a good dose of humour in there as well. My 2 year old loves to look at the pictures. My husband and I want to expose our children to all the different religious beliefs, mythologies and ideas we can. This is a great way to introduce the primary Hindu Deities to a house that hasn't had much exposure to them.

45 of 48 people found the following review helpful.
Cute deities, annoying production
By Darth Breather
This is a handy compendium of Hindu deities, with the gods and goddesses made cute in a self-confessed Hello Kitty kind of way. The idea is sort of sweet, and I'd love to see Patel do other religious figures this way.

What was profoundly irritating was how difficult some of the pages were to read - white text on pastel-colored pages. The dark-colored pages were fine, but white on pink? White on yellow? What was Penguin thinking?

I hope they'll correct this in the next edition.

0 of 0 people found the following review helpful.
Great little book.
By J Gedeon
We loved his take on the Ramayana so much we had to get this and it's been a treat. My six year old loves the witty descriptions. I grew up in an intensely multicultural society, and I love the idea of exposing my children to the facets of other religions and cultures. One of our faves. We've also run through three copies of Ramayana: Divine Loophole because we've read it so many times, practically until the covers fell off. So get that stat if you don't have it!!!!

See all 143 customer reviews...

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