Jumat, 26 Februari 2010

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Art and the Bible (IVP Classics), by Francis A. Schaeffer

"The lordship of Christ should include an interest in the arts," writes Francis Schaeffer. "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars."

  • Sales Rank: #34239 in Books
  • Brand: InterVarsity Press
  • Published on: 2006-12-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .30" w x 4.25" l, .17 pounds
  • Binding: Mass Market Paperback
  • 95 pages

Review
"Recommended for those interested in creativity, arts in worship, and art as it relates to biblical history." (Carolyn Egolf, Congregational Libraries Today, January/February 2009)

From the Publisher
Features & Benefits *A new edition of an IVP classic *Written by a respected theologian with a deep interest in the arts *Suggests eleven perspectives within which a Christian view of art can take shape

About the Author
Francis A. Schaeffer founded the L'Abri Fellowship in Switzerland and was the author of many books, including The God Who Is There. Until his death in 1984, he was also a noted speaker with a worldwide ministry. His ministry continues through his books, with over two million copies in print.

In a career that spans 30 years, Michael Card has recorded over 31 albums, authored or co-authored over 24 books, hosted a radio program, and written for a wide range of magazines. An award-winning musician and performing artist, he has penned such favorites as "El Shaddai," "Immanuel" and many other songs. He has branched his ministry beyond music and written numerous books, including A Sacred Sorrow, A Violent Grace, The Parable of Joy and Sleep Sound in Jesus (a children's book). He has also written the Biblical Imagination Series, with a book and accompanying music CD for each of the four gospels. A graduate of Western Kentucky University with a bachelor's and master's degree in biblical studies, Card also serves as mentor to many younger artists and musicians, teaching courses on the creative process and calling the Christian recording industry into deeper discipleship. Card lives in Tennessee with his wife and four children.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Art and the Bible: A must read for anyone interested in the arts
By Robert Pruitt
Francis Schaeffer's book Art and the Bible is a classic when it comes to developing a Biblical theology of the arts or in thinking about theology and the arts Christianly. Almost every book about the arts or theology in the arts, from a Christian worldview that has come out since this book was first published in 1973, references Schaeffer's Art and the Bible. The book began as two separate essays, the first essay is Art and the Bible and the second is Some Perspectives on Art. These separate essays were combined and published as the comprehensive and concise book Art and the Bible.

In this thought provoking and essential work advocating for the arts, Schaeffer outlines a sound Biblical apologetic for the arts. Schaeffer addresses all types of art from architecture, to statuary, bas-relief, poetry, painting, music, drama and dance, to the art of Heaven itself. The Biblical support of art of all kinds is presented clearly by Schaeffer who walks the reader carefully and thoroughly through important supportive passages in both the Old and New Testaments.

In the book's foreword, by Michael Card, added in the revised 2006 edition, Card says, "this book, a primer on Biblical creativity, [seeks] to drum into us the idea that we create out of our worldview and that it is our responsibility to align that point of view with scripture before we continue on." Card rightly highlights one of Schaeffer's main points that the artist should "take seriously the Lordship of Christ in every aspect of their creative lives."

25 of 25 people found the following review helpful.
Essential for Christians & non-Christians on impact of art
By A Customer
This book, a collection of two essays about art and its relationship to Christianity and Christian philosophy is fascinating.
First, one major positive is Schaeffer's calling for the Christian to apply several criteria to art and the evaluation of it. He strongly discourages a purely "romantic" interepretation of art (meaning just how it makes you "feel.") He implores the Christian (and the non-Christian for that matter) to make full use of both intellect and emotion (as well as a host of other criteria.)
The first essay concentrates on what the Bible actually has to say about art. The second essay concentrates on the physical creation of art, intention of art, impact, and several other dimensions of this many-sided subject. It touches on some basic principals of philosophy of art as well as the Christian world view. Also, of extreme importance is the subsection on art within its cultural context.
My only complaint is the short length of the book. Schaeffer occasionally didn't fully explore an idea. I know an exhaustive treatise could never be devised, but this is a lot of subject matter to tackle in a 63 page book. On the other hand though, this concise pamphlet will get his ultimate points across and is accessible to those who don't have philosophy or art history degrees.
This book is a welcome addition to both art criticism and the Christian perspective on art.

5 of 5 people found the following review helpful.
A Good Primer
By A. Langley
Art and the Bible was published in 1973 by Francis Schaeffer and his L'Abri Fellowship as an inquiry into the place of the arts in the Bible and the Christian life. It is now marked as one of the foundational works in the theology of the arts, particularly because of its efforts in developing a specifically biblical theology from an evangelical perspective. The book consists of two essays: the first focusing on what the scriptures say about art; the second elaborating upon a picture of the arts for Christianity.

In the first essay, Schaeffer examines the role of the arts as portrayed in the scriptures, and this primarily in the Old Testament. A common foundation can be seen among those who think and write in the field of theology and the arts, and that is a holistic understanding of creation and humanity in which there stands no true antagonism between the spiritual and the physical, and this thought is what begins Schaeffer's first essay. He arrives at this holistic perspective from the Biblical teaching that God is sovereign over all creation, and he points to four important points he says that the Bible "makes clear", namely:
* God made the whole man
* In Christ the whole man is redeemed
* Christ is the Lord of the whole man now and the Lord of the whole Christian life
* In the future as Christ comes back, the body will be raised from the dead and the whole man will have a whole redemption. (7-8)

The implication drawn from this is that since God is Lord over the whole of man and creation, he is Lord over the creative arts as well.

From this point Schaeffer moves to a discussion on art having to do with worship, and he begins this with one of the most common objections against Christian involvement in the arts: "Thou shalt not make unto thee any graven image" (Ex 20:4-5). He explains that if this is properly interpreted, it can be seen as not a restriction against graven images per se, but against the worship of them. This is evinced in the fact that at the same time God gave the ten commandments, he also gave the instructions for building the tabernacle; in these instructions were included "almost every form of representational art that men have ever known," Schaeffer says. (12). Among these forms of representational art were blue pomegranates. Schaeffer points to this as an indication that God enjoys art that is not necessarily "photographic," but there is freedom for the imagination to expand upon the "real."

From the tabernacle, Schaeffer moves to a discussion on the artistic nature of the temple. The design of the temple that the Spirit of the Lord handed David (1 Chron. 28:11-12) we see full of non-utilitarian art. In 2 Chron. 3:6, for example, Solomon "garnished the house with precious stones for beauty." From this, Schaeffer rightly concludes that "God is interested in beauty" (15). Also he importantly notes that we see more than specifically religious subject material used in worship-related art, which means that "specifically religious subjects are not necessary for art" (19).

Next, Schaeffer considers the "secular art" of Solomon's day. This secular art of which he speaks is Solomon's throne, described in (1 Kings 10:18-20). However, it seems questionable whether or not Solomon's throne would be considered "secular." As Israel was a theocracy, it seems as though it would be difficult to make such a distinction between "secular" and "religious" art. What would seem to be more appropriate would be to look at the arts in the other cultures surrounding Israel at that time, which he does not do.

In his discussion poetry, Schaeffer, using an example from the Septuagint of David singing, shows that art does not have to be put into the temple in order for it to give praise to God. He also points to the Song of Solomon as an example of secular art that has been inspired, in a way, by God.

From poetry, Schaeffer shows that drama and dance too is not only allowed but are used and encouraged in the Bible. Ezekiel plays out a drama as a prophesy, and David danced victoriously in his ephod. Schaeffer does right to point out that simply because someone does something in the Bible does not mean that it is prescriptive. Finally, pointing to the music and song in Revelation 15:2-3, Schaeffer shows that God has a plan for the arts even in the afterlife. Schaeffer's work in providing these examples of the arts from the Bible is an invaluable tool with which to counter the attitudes that express some contempt for the arts. However, because virtually all of the examples are taken from the Old Testament, it might loose weight to a reader who interprets the New Testament as being a switch from the physical to the spiritual.

In his second essay entitled "Some Perspectives in Art", Schaeffer enumerates eleven perspectives from which a Christian can view art. He begins with what he says is the most important point for Christians to consider, namely that a work of art has intrinsic value. Schaeffer says that it is "not something we merely analyze or value for its intellectual content. It is something to be enjoyed" (34). It has this value because it is a creative work, and creative work has value because it is a product of our being made in the image of God. While Schaeffer is on the right track with these thoughts, he seems to be a bit myopic in his understanding of art. It is true that art is not simply to be analyzed for its intellectual content, however that is at least part of what we do with art. He seems to acknowledge this later by chiding the "art for art's sake" perspective. He goes on to say that art is something to be "enjoyed" in and of itself, yet he seems to forget that some art is not "enjoyed," especially art that is prophetic in nature. In his first essay he pointed to Ezekiel performing the prophetic "drama" for Israel, and Schaeffer affirmed this as art. Yet was Ezekiel's drama "enjoyed" in and of itself apart from its intellectual content? The point of prophetic art is not to be "enjoyed," but on the contrary, to be disruptive to a people's status quo.

Next, Schaeffer touches on the interesting notion that "the effect of any proposition, whether true or false, can be heightened if it is expressed in poetry or in artistic prose rather than in bald, formulaic statement" (38-39). This is a point well made, and an important one to consider, though it is unfortunate he did not spend more time elaborating upon this.

His third point addresses the continuity or discontinuity with normal definitions in a work of art. He applies this not only to the use of words (in poetry and prose), but in the visual language of symbols as well. He suggests that there must, for greatest effect, be not too great a discontinuity. Innovation is good, but when one diverges too far from the norm (such as in total abstract painting), something is lost in the piece of art.

Fourth, he states that simply because something is "art" does not mean that it is "sacred." This he ties into his second point, that the propositions contained in a piece of art can be false.

Schaeffer next moves to the four criteria by which he believes art should be judged. First, art should be judged by its technical execution. If art is done with technical excellence, Schaeffer says that the artist should be praised even if he differs in worldview. This is a particularly challenging and needed statement since many Christians reject art completely if it differs even slightly from their version of Christian truth. Next, art should be judged by its validity: whether or not the artist has been honest to himself in the creation of his art. At this point Schaeffer criticizes any art that is created for financial reason, labeling it "invalid." This is, however, an invalid criticism because of its myopic idea of what the creative mind is and what its parameters are. For example, if this criteria were applied to the art of filmmaking there would be few--if any at all--that meet it. Film is a corporate art, an art that involves more than one mind, and thus involves individual creative ideals bending to one another in cooperation and, often, compromise. Likewise, the sheer amount of financial resources that are required to produce a film entail a kind sensitivity to those who will watch it. Rather than automatically labeling any art "invalid" that is done for a patron, the art should be judged by how "valid" it is within its parameters (e.g., the patron's wishes, the public's interest, etc.). The third criteria Schaeffer says art should be judge by is whether or not the worldview it espouses is consistent with the scripture, and this he says can actually be accomplished by the non-Christian, and can sometimes not be accomplished by the Christian. The last criteria is how well the content of the art matches its form. The example he uses for this is T.S. Eliot's The Wasteland: in it the broken nature of the message was reflected in the broken form in which it was written.

Regarding style, Schaeffer says that it changes as language changes, but that the Christian should have these three elements in his style: it should be the style of his day, it should be indigenous to where he is geographically, and it should reflect the Christian worldview. In his next point, he asserts that while there is no "godly" or "ungodly" style, some styles become symbolic of a certain message, and thus styles must not be used unthinkingly.

Schaeffer then suggests that Christian art has a place for both major and minor themes--minor themes that uncover the lostness and brokenness of man, major themes that offer a positive perspective in light of redemption--but the emphasis should be on the major themes. He does make room for individual pieces of art to show only minor themes, but he says that the full body of the artists work should reflect the major. He does well to leave room for exceptions in this, because it should also be considered that the many artists in the Christian community are members of one body; perhaps it is one person's job to focus on minor, and the other person's to focus on redemption.

What makes this pamphlet particularly unique is its depth of focus on what the scriptures say about the arts, but his second essay on Christian perspectives is also helpful in that it attempts to apply more specifically what we find about art in the Bible. In total, Schaeffer's Art and the Bible can serve as a helpful tool especially for the evangelical who needs an introductory Christian perspective on the arts.

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Architect and deliver packaged Force.com applications that cater to enterprise business needs

About This Book
  • Explore the lightning framework, advanced application life cycle processes, and testing
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  • Step-by-step, work on examples to get you building your own ready-to-install packaged application
Who This Book Is For

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What You Will Learn
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  • Sales Rank: #87201 in Books
  • Published on: 2017-04-06
  • Released on: 2017-03-31
  • Original language: English
  • Dimensions: 9.25" h x 1.14" w x 7.50" l,
  • Binding: Paperback
  • 512 pages

About the Author

Andrew Fawcett

Andrew Fawcett has over 25 years of experience, holding several software development-related roles with increasing focus and responsibility around enterprise-level product architectures with major international accounting and ERP software vendors over the years. He is experienced in performing and managing all aspects of the software development life cycle across various technology platforms, frameworks, industry design patterns, and methodologies, more recently Salesforce's Force.com and Heroku. He is currently a CTO, Salesforce MVP, and Salesforce Certified Advanced Developer within a UNIT4 and Salesforce.com funded startup, FinancialForce.com. He is responsible for driving platform adoption, relationship, and technical strategy across the product suite. He is an avid blogger, open source contributor and project owner, and an experienced speaker at various Salesforce and FinancialForce.com events. He loves watching movies and Formula1 motor racing and building cloud-controlled Lego robots! You can find him on Twitter at @andyinthecloud, and his Lego robot Twitter handle and website is @brickinthecloud. You can visit his LinkedIn profile at https://www.linkedin.com/in/andyfawcett and his website at https://andyinthecloud.com/.

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In this eye-opening and somewhat shocking program, Garrett B. Gunderson presents a revolutionary new financial paradigm that can open you up to unprecedented opportunities and unimagined wealth so the YOU can master the New Rules to Get Rich.

Through well-reasoned arguments, unflinching logic, and revelatory insight, Gunderson defeats common cliches and faulty retirement planning advice to plainly demonstrate that:

*401(k)s and the stock market are the MOST risky investments for most people, and the gambling mindset they induce creates disastrous consequences
*Conventional retirement planning advice, products, strategies, and techniques expose you to significant danger of being unable to retire, or of running out of money prematurely if you do
*Building net worth is a recipe for creating a life of fear and poverty and how to escape that common trap
*Debt may not be what you think it is and why that matters to your prosperity
*High risk equals high returns' is destructive dogma and how reducing risk can increase your returns
*And much more!

  • Sales Rank: #2168197 in Books
  • Published on: 2010
  • Format: Student Calendar
  • Binding: Audio CD

Most helpful customer reviews

8 of 10 people found the following review helpful.
Morning Star Holmes-Transitional Life Coach
By Morning Star Holmes
I purchased this program when it first came out after hearing Garrett Gunderson speak at a conference. I had a goal of becoming free of debt and create sustainable cash flow. I worked the program as it is laid out and have accomplished my goal within just a couple of years. I have given this program to all of my adult children because if I had know at their ages what I have learned from Garrett Gunderson, my financial life would have been so much easier. I lost 60% of my investments during the recession in the 80's. With Garrett's program, I invested differently and have not lost anything during this current financial crisis. I have actually gained 8-10% annually on my current investments.

0 of 1 people found the following review helpful.
This guy's a complete hack. We're talking about a ...
By Amazon Customer
This guy's a complete hack. We're talking about a guy who hates on 401k's/other tax-advantaged retirement vehicles and who is now trying to sell you a "guide" on getting rich for $120. Run far away.

2 of 7 people found the following review helpful.
Not impressed
By Abezire Brown
There is no guide book.

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Minggu, 21 Februari 2010

[H183.Ebook] Free Ebook The Blue Communism, by Raven Alb J.

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This book was written by a man who lived under communism from birth until the age of 23. He lived in America since 1973 and continued observing the progress of communism in both his old country and in America. An interesting pattern was observed. In the nineties, a repetition of communism’s style of evolution, which the author had lived through as a teenager in communist Romania, started manifesting itself in American politics. The only difference was that the new style of communism taking over the USA was far more refined and subliminal, because it had to grow gradually and undetected. While practically all the escapees of red communism were able to observe and suspect the new communism taking over, the native Americans (Americans born in the USA) did not suspect such a thing, nor is there currently a suspicion of this most dreadful of situations—with the exception of an extremely small percentage. This book explains, in detail, the circumstances to the point at which even a mediocre individual can understand, provided that mediocre people read the book. No book has ever been written explaining America’s takeover by communists. No book has ever informed Americans of this danger, and as unbelievable as it sounds, hardly any American suspects this takeover. Only by reading this book can the real situation be understood.

  • Sales Rank: #4333491 in Books
  • Published on: 2015-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.18" w x 8.50" l, 2.64 pounds
  • Binding: Paperback
  • 522 pages

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4 of 5 people found the following review helpful.
Ground breaking
By Mike G
This book was written by Raven Alb J. who lived under communism in Romania until the age of 23. He has been living in America since 1973 and noticed a pattern emerging unbeknown to most if not all Americans. Many people nowadays are aware that that there is something terribly wrong going on in America but do not know exactly what is wrong, I think many Americans are incapable or not willing to put fourth the effort of research to figure it out. We live in a very decadent dying society and we are just getting by like a decrepit old man trying to make his way to the bathroom. This is no longer the great country that it once was and it is only halfway toward absolute destruction beyond repair. Some people are short sighted and do not know who the real enemy is who is making their lives unbearable in this current society and are swinging at the wrong or an entirely imaginary enemy. This book explains everything you need to know to try to stop or at least be aware of the collapse of this country that is heading for us.

The author of his book has had a very interesting life judging by what I have read in this book which is his second book. His first book is titled 'Why and How the Ice Age Ended: and the True History of the Pontic (White) Race' which I have not yet read but will be reading soon. Raven made his living in America as a glass artist which he taught himself. He has been all over the world and is a very intelligent man with a lot of crucial knowledge that should be read by every American who is still capable of rational thought and logical thinking.

To say that this is just a book about Communism in America would be a misnomer. This book is filled with valuable education on Politics, Race, Religion , History, Economics, and tons of other issues. The Author is very interesting and knowledgeable on many subjects, and very well read on all the books of antiquity. I have learned a lot from reading this book and I am sure I will go back to it in the future.

The problem we face is getting the information out there nowadays to change the world when the average American is not willing to read any book let alone a book over 500 pages even though it may change his life and the world around him. The author points out the five different type of intellects in this book and I just hope there are enough type one and type two intellects out there to read this very important book. I highly recommend this book if you really want to know what is going on in America and why we are suffering the way we are today. Please read this book and get this knowledge and pass it on to the next person.

Together we can change the World.

Mike G

1 of 1 people found the following review helpful.
Not sure why the publisher chose to make the book like this but it's big
By C.G
Will update review later on the books contents but be advised the paperback is almost the size of a textbook. Not sure why the publisher chose to make the book like this but it's big.

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Sabtu, 20 Februari 2010

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Harry Lorayne's Secrets of Mind Power., by Author Unknown

  • Sales Rank: #14793261 in Books
  • Published on: 1961
  • Binding: Hardcover

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2 of 4 people found the following review helpful.
Wonderful Book
By G. Faw
This is a good book if you think and ponder a little on some of the things he discusses on here and try to apply some of it to your everday life.

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Kamis, 18 Februari 2010

[S345.Ebook] Download PLant Biotechnology (Volume 1), by C B Nirmala, G Rajalakshmi, Chandra Karthick

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PART I PLANT GENOME ORGANIZATION NUCLEAR GENOME CHLOROPLAST AND ITS GENOME MITOCHONDRION AND ITS GENOME TRANSPOSABLE ELEMENTS Part II PLANT GROWTH AND REGULATION OF GENE EXPRESSION GROWTH HORMONES REGULATION OF GENE EXPRESSION DURING PLANT DEVELOPMENT PHYTOCHROME SEED STORAGE PROTEINS INDUCIBLE CONTROL OF GENE EXPRESSION PART III APPLIED PLANT BIOTECHNOLOGY PLANT TISSUE CULTURE TRANSGENIC PLANTS MOLECULAR PHARMING Review Questions Glossary References Index

  • Sales Rank: #9261419 in Books
  • Published on: 2009-09-03
  • Original language: English
  • Dimensions: 8.50" h x 1.01" w x 5.50" l, 1.10 pounds
  • Binding: Paperback
  • 402 pages

About the Author
Dr.C.B.Nirmala, Head, Department of Biotechnology, SRM Arts and Science College, postgraduated from the University of Madras in 1986 and pursued her Ph.D. (Botany) in the same University. Then she joined the Centre for Biotechnology, SPIC Science Foundation, Guindy, Chennai, as a Research Associate. She was awarded the Senior Scientist post in appreciation of her experiments on cloning the genes encoding carboxymethyl cellulase, glucanase and xylanase. She has published her research findings in national and international journals. G. Rajalakshmi, Lecturer, Department of Biotechnology, D.G. Vaishnav College, Chennai, is a gold medalist in B.Sc. Botany from Madurai Kamaraj University. She completed her M.Sc. Botany from Sri Parasakthi College, Courtallam, M.Phil. from Thiagarajar College, Madurai, and Ph.D. from CAS in Botany, University of Madras. She has thirteen years of teaching and research experience. She is Research Advisor to Bharathidasan University and is a member of the affiliation committee of the Madras University for the board of Biotechnology. Chandra Karthik did her bachelor’s degree in Chemistry from Ethiraj College for Women, Chennai and her Masters degree in Biotechnology from Guru Nanak Dev University, Punjab under the DBT scheme and M.Phil. in Biotechnology from Bharathidasan University. She worked as a lecturer in the Department of Biotechnology of D.G. Vaishnav College, Chennai. Currently she is pursuing her Ph.D. in Biomedical Sciences at Indiana University- Purdue University, Indianapolis, United States of America.

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Senin, 15 Februari 2010

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The Oak Island Mystery, by R.V. Harris

  • Sales Rank: #4683646 in Books
  • Published on: 1958
  • Format: Import
  • Binding: Hardcover
  • 211 pages

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1 of 5 people found the following review helpful.
Five Stars
By Phillip Jones
Good

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Sabtu, 13 Februari 2010

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¿Dios existe?: El libro que todo creyente deberá (y todo ateo temerá) leer (Spanish Edition), by Dante A Urbina

Un amplio y profundo an�lisis que echa por tierra las falacias y sinrazones de incluso el m�s refinado e intelectualizado ate�smo refutando detallada y contundentemente a sus principales referentes (Stephen Hawking, Richard Dawkins, Graham Oppy, Jeffrey Jay Lowder, Bertrand Russell, Sebasti�n Faure, Immanuel Kant, David Hume, etc.). Imprescindible para todo aquel que busque una respuesta intelectualmente s�lida sobre el fundamento de la existencia, y en especial para creyentes que busquen un sustento y defensa racional de la fe, agn�sticos sinceros en busca de respuestas en uno u otro sentido y ateos intelectualmente honestos que est�n dispuestos a aceptar el desaf�o de cuestionar su propio ate�smo. Este libro no solo reivindica y renueva filos�fica y cient�ficamente la profunda visi�n de las cinco v�as de Santo Tom�s de Aquino sino que aborda numerosas cuestiones relacionadas con ontolog�a, epistemolog�a, astrof�sica, biolog�a, etc. pero todo desde un lenguaje ameno y sencillo. Luego de leer este libro tu visi�n de la filosof�a y la cuesti�n de Dios definitivamente no ser� la misma.

  • Sales Rank: #916358 in Books
  • Published on: 2016-01-23
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x .54" w x 6.00" l, .71 pounds
  • Binding: Paperback
  • 236 pages

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1 of 1 people found the following review helpful.
Que buena forma en la que se desarrolla el libro ...
By jaime andres cuaran barreiro
Que buena forma en la que se desarrolla el libro. Me he le�do algunos libros y aveces sientes como esos “saltos”, esos “huecos” que quedan por llenar, o la frustraci�n de no encontrar explicaciones previas a conceptos m�s complejos. Pero este libro llena esas expectativas, es muy claro, te va explicando de manera muy ordenada todos los puntos. Logrando en su defecto, una lectura muy placentera. Gracias por tan buen material, felicitaciones.
Qu� mal, y que tan “raro”, encontrarse con comentarios de no creyentes rechazando el libro de manera despectiva cuando ni quiera se han tomado la molestia de leer la primera p�gina.

0 of 0 people found the following review helpful.
UN LIBRO ROTUNDO Y TRASCENDENTAL
By Alvaro
Un libro rotundo y trascendental frente al cual; como fil�sofo por vocaci�n, formaci�n e incluso distracci�n que ha “ido y vuelto” por todos los “ismos” teos�ficos (te�smo, ate�smo y agnosticismo); no me queda m�s que suscribir sin ambages los “Top ” de quienes me han precedido esperando que la comunidad intelectual internacional le d� el lugar que amerita este novel pero profundo y anal�tico fil�sofo que ha puesto una valla l�gica y epistemol�gica muy alta privilegiando siempre el fondo sobre la forma y la idea por sobre la palabra (sinceramente, �muy buena suerte! a quienes, con la misma calidad ontol�gica, emprendan el objetarlo).

1 of 2 people found the following review helpful.
�Un lingote de veracidad a prueba de todo!
By Client d'Amazon
Es impresionante la magnitud l�gica de este libro, una proeza intelectual casi dif�cil de creer; pero est� all� y es un lingote de veracidad a prueba de todo. Espero que sea traducido a la mayor cantidad posible de lenguas pues una vez expuesto al mundo no podr� ser ignorado, sobre todo por la comunidad cient�fica, cuya necesaria honestidad racional har�a bien en pronunciarse al respecto env�s de simplemente seguir sirvi�ndole de Corte autom�tica al ate�smo en su cruzada contra el oscurantismo y el fanatismo fundamentalista, batalla por dem�s necesaria en favor de la civilizaci�n pero donde el padrinazgo de la ciencia atenta, por omisi�n, contra las verdaderas consecuencias �ltimas de la raz�n, es decir del instrumento primordial de la ciencia, y que no son otras —muy a pesar suyo— que las pruebas l�gicas e irrefutables de la existencia de Dios. Estamos pues frente a un inmenso aporte por parte de un joven orgullo latinoamericano (del Per�), quien de una manera gradual, sencilla y extremadamente clara pone la barra muy alta en uno de los temas m�s dif�ciles y fundamentales del pensamiento filos�fico universal. Buena suerte a quienes pretendan refutar sus conclusiones. Como bien lo dice el subt�tulo, una obra indispensable para ateos y creyentes por igual.

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¿Dios existe?: El libro que todo creyente deberá (y todo ateo temerá) leer (Spanish Edition), by Dante A Urbina PDF
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Jumat, 12 Februari 2010

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Book by Robert J. Gordon

  • Sales Rank: #3943703 in Books
  • Brand: Brand: Pearson Academic
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.04" h x .94" w x 7.83" l, 2.57 pounds
  • Binding: Paperback
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Kamis, 11 Februari 2010

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  • Published on: 1800
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Sabtu, 06 Februari 2010

[F958.Ebook] Download PDF Teleny, or The Reverse of the Medal (Gay erotic classic), by Oscar Wilde

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Teleny, or The Reverse of the Medal (Gay erotic classic), by Oscar Wilde

The homoerotic novel Teleny is an important antithesis to the prudish idealism of the neo-classic and neo-romantic lyric love poetry of the fin du siecle. It is a work of unmasking the cynical double moral standards of the Victorian era: The love of Camille and Teleny is shattered by social reprisals. The book was published in 1893 in 200 copies by Leonard Smithers who praised it as being "the most powerful and cleverly written erotic romance which has appeared in the English language" during that era, "a book that will certainly rank as the chief of its class."

  • Sales Rank: #1663943 in eBooks
  • Published on: 2010-03-23
  • Released on: 2010-03-23
  • Format: Kindle eBook

About the Author
Oscar Wilde (1854 1900) was born and raised in Dublin, Ireland. Wilde studied at Trinity College in Dublin and at Magdalen College in Oxford, England, before settling down in London and having a long, successful career as a poet, playwright, and author. Wilde is best known for his novel The Picture of Dorian Gray and for his satirical play The Importance of Being Earnest.

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0 of 0 people found the following review helpful.
Two Stars
By sLy
I don't think Oscar really wrote all of this.

20 of 24 people found the following review helpful.
an almost unreadable version
By adorian
I took a Yellow Nineties literature course in college, and the professor told us to stay away from "Teleny," that Oscar Wilde had nothing to do with it. With my interest piqued, I went to the university library and discovered there was a copy of "Teleny" in the rare book room. I read it in one sitting. I agreed that Oscar Wilde probably had nothing to do with it.

But now, many years later, I've read it again, and this doesn't even seem like the same text I read before. I will give Oscar Wilde chapter 7 and a long passage of chapter 8. Beyond that, I'm sure many other writers contributed most of it. I just wish an editor had been involved. While reading this version, I concluded that some kind of optical scanner had been used to transfer the text from one source to another. In the process, very strange things happened. The letter "m" often gets subsituted for "th," so that the word "that" appears as "mat." "Mink" is really "think." But it doesn't stop there. "Concerts" becomes "conceits." "Kiss" becomes "lass." The best one is "mush-scented courtesans," which I hope is supposed to be "musk-scented." Add to that the fact that some French words were just guessed at, so we end up with "mignans," "matrons" for "marrons," and "Angut" for "Angot." Anyway, the text is so corrupted that you practically have to be a cryptographer to decipher it some of it.

The early chapters have lots of typical Victorian hetero scenes, but once the homosexual ones start, one must agree that this is a different kind of prose. The literary and classical allusions abound. (Some of them are so obscure that I couldn't find out about them using google search.) There is an attempt at a Poe atmosphere near the end, which is telegraphed from a mile away. The end is "open," with a hint that there might be a sequel, but apparently there never was one.

In all honesty, I cannot recomment this New Traveller's Companion Series version (no pictures) because of the constant typos and bizarre punctuation that render the prose almost unreadable.

3 of 3 people found the following review helpful.
Accurate and up to date
By Robert Reising
Truly a classic of homosexual literature. I first read the Teleny almost 50 years ago when I was in my 20's. Now, after a life-time of experiences, spanning from the 1950's up to today (2013), I am flabbergasted at how accurately and completely the text, which was written over 100 years ago, describes male homosexual love: emotions and sex acts. Although the story's setting is apparently France at the end of the nineteenth century, the feelings and actions of the characters are as up-to-date as if they were taking place today. I recommend this book to anyone interested in male homosexuality.

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